Clothes maketh the man

"When the power of love overcomes the love of power,
the world will know peace." ~ Jimi Hendrix

 

 

 

 

 

 

Hans Christian Andersen gives us a tale, among many, that concerns a certain Emperor. This Emperor desired clothes suitable for his noble standing and prodigious authority; two wily tailors claimed that they had such garments, possessed of this property - that only persons of the wit and nobility of the Emperor would be able to see them. Accepting the Emperor's gold, they proceeded to drape him in entirely imaginary raiment, before leading His Imperial Majesty to a mirror. Unable to admit that he saw himself naked - mindful that only a mean and ignoble mind would see him thus - the Emperor confessed himself delighted, and went forth among his courtiers. They, like their Emperor, were unwilling to admit what was right before their eyes; bound by convention, by fear, by orthodoxy, they all gathered round and praised the wholly fictitious new clothes. A parade was arranged, the better to display the Emperor's wonderful new clothes to his subjects; as it happened, one of these was a small boy, too foolish to have accepted the conventional wisdom, who cried out "the Emperor is naked!" Horror turned to hilarity as the crowd accepted the boy was right; the power of the Emperor was broken, and he was humiliated.

 

There is a lesson here when we consider the Fourth Key of the Major Arcana, also The Emperor. Where the Empress denotes the natural energy of qi, the Emperor represents the shaping and harnessing of energy, the imposition of will upon the world, the establishment of order. Malaclypse the Younger might remark that the Empress reflects upon the Eristic Illusion, while the Emperor reflects upon the Aneristic Illusion. The truth, as we might guess, is neither of these illusions, and also both.

 

Although the Emperor is the Fourth Key, he is the fifth card in the Major Arcana. The Law of Fives tells us that he should have some significance as a result, but we should be alerted by the presence of the Zeroeth Key that the significance here can be misleading. Parasimplicity necessarily entails doubt, which is another restatement of Godel's Incompleteness Theorem. All the same, the stability - the permanence - of The Emperor is another characteristic of the transcendent, and it is interesting to note that the card, self-similarly perhaps, has undergone rather less transformation down the ages than other members of the Arcana. The hidden weakness beneath the apparent strength of The Emperor is the one alluded to in that Andersen fairy tale: namely, that his belief in his own power blinds him to the existence of anything beyond it. Being merely puissant, the Emperor believes himself to be, in King James' memorable phrasing, a "little God on Earth." His inflexibility in a world of flux renders him susceptible to obsolescence.

 

The Emperor is a cautionary tale; emblematic of structure, he carries the implicit reminder that all that can be made, can be unmade. As Solomon's ring reminded him: Gam Zeh Ya'avor.